Ten Good Ideas from Contemporary Hymn Writer Keith Getty

Irish songwriter Keith Getty began his workshop Tuesday at the National Worship Leaders Conference by telling those who had come to learn how to write a great worship song to leave. “Because art is the expression of life, you cannot ‘how-to’ creativity.”

Getty collaborates with his wife Kristyn and friend Stuart Townend. “They’re the words and I’m the music,” he says, estimating that somewhere between 5 and 20 percent of the words of any of their songs are his. “But we both get involved on both sides.”

Here are ten notable and worthwhile ideas edited and distilled from Getty’s workshop comments:

1. The primary form we use is the story form. The gospel is primarily story. How do you take people who want 4-line worship songs and get them to sing 32 lines? By structuring the song as a story.

2. It is important to look at things that are harrowing and that don’t necessarily make us feel happy. The central core of the Christian faith is not something that makes us happy. We need to acknowledge our need for a redeemer. The reason we worship is that we meet God through the central story of the cross.

3. We need lament. But if you want to write lament, remember that a successful lament resolves. Not into a happily-ever-after ending, but like the psalms of lament, by ultimately acknowledging that God is God.

4. To write strong melodies remember that folk melody has to be passed on orally (aurally). I try to write songs that can be sung with no written music. I imitate Irish folk melody, with a great deal of contour, of rise and fall.

5. Use pastors and theologians as resources for your writing. But keep company with them. Don’t just ask them to fix your text here or there when you’re done with it.

6. Trinitarian worship safeguards us from so many problems our worship can get into: either an overly stern view of god or a casual view of god. Both can lead to problems in our lives.

7. Martin Luther is one of ten people from history I would want to have coffee with. I have looked at a lot of Luther’s hymns and emulated him. First, Luther had a high view of redemption. He also believed we live our lives in the midst of spiritual warfare. Thirdly, he had a high view of the church and a high vision of the church.

8. The congregation is the choir and it is merely the privilege of those of us who are musically gifted to help them sing.

9. Lyrics and great writing are the same thing. Lyricism is poetry. If your write lyrics, read as much poetry as you can. Lyricists are people who love words and do crossword puzzles.

10. Growing up, I never listened to pop music as a child. I was steeped in church music. That could be a blessing because everything I write can be sung by a congregation.

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Christianity Today interviewed the Gettys in 2008.

Learn more about the Gettys' work at their website.

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Out of the Miry Clay

KANSAS CITY—In England, worshipers influenced by the charismatic renewal have been derided as “happy clappy.” With its roots 40 years ago in the Jesus Movement’s marriage of rock-n-roll and charismatic faith, you might expect the National Worship Leader Conference—with its theme of “Sing a New Song”—to kick off with rambunctious exuberance.

Instead, the conference opened last night on a somber note, with Tennessee pastor Steve Berger reflecting on the pain of having to bury his 19-year-old son just two years ago. For the keynote address, Berger exposited Psalm 40:1-3, one of nine Scripture passages that use the phrase “new song.” The psalm is a narrative prayer that begins with the psalmist’s experience of despair—of being in “an horrible pit” and stuck in “miry clay.” But by waiting patiently upon the Lord, the Psalmist says, he was taken from the pit and the mire and had his feet set “upon a rock” and had “a new song” placed in his mouth.

Berger stressed the pit as the location from which we learn the “new song” (which Berger defined as “a fresh experience with an ancient truth”). Those who want, with the apostle Paul, to experience the power of Christ’s resurrection had better be prepared to suffer with him. “Nothing gets resurrected until it dies,” proclaimed Berger.

The pit is God’s place for renewal—not just a renewal of worship experience (“In the pit, my hallelujah didn’t get stolen!”) but also for renewal of life ("Many will see it ... and trust in the Lord," says the Psalm. “New Song needs to be seen as well as sung,” says Berger).

Gerber’s deep spiritual realism has laid a solid foundation and provided focus for three-days of renewal and learning.



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The National Worship Leader Conference is presented by Worship Leader magazine and hosted by the United Methodist Church of the Resurrection in Leawood, Kansas. The conference runs July 19-22.

Steve Berger and his wife have written about their experience of “the horrible pit” in Have Heart: Bridging the Gulf Between Heaven and Earth (Thomas Nelson, 2010).
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